Radiohead - Kid A
In one of the boldest "about face" career moves from an established rock
act, Radiohead ditched their guitars and more conventional song
structures in favor of atmospheric, soundscapes. Thom Yorke's vocals
ethereally float above the vast icy tundra, while the rest of the band
perform dissonant free-form jazz, ambient interludes and spacey alien
soundtracks that's finally taking rock to new, uncharted lands. A modern
alien masterpiece. |
Billy Bragg & Wilco - Mermaid Avenue Vol. II
Half of the brilliance of this album actually belongs to original folk
musician and social activist Woody Guthrie, who wrote all the lyrics
presented here. Unfortunately, he died before he got a chance to set
them to music. Luckily, however, these lyrics were given to Wilco and
Billy Bragg by Guthrie's daughter to add their own musical language to.
The results are marvelous, with finger poppin' folk rock, country
dirges, lilting lullabies and bouncy folk-pop. Social protest has never
been this much fun. |
U2 - All That You Can't Leave Behind
Leaving their techno baggage from their last three albums behind them,
Bono and company bring along only what's needed. With songs that not
only hearken back to a time when every other number was an anthem, but
that also point to a simpler uncluttered future, this is the U2 that is
sure to please the masses. And let's not forget that it also contains
the song "Beautiful Day," quite possibly the best single of the year
from any artist. |
PJ Harvey - Stories From the City, Stories from the Sea
With the rage and passion of her earlier work back in full swing, Harvey
has delivered one of her strongest works to date. With songs that
reflect both her extended stay in New York City and her hometown of
Yeovil, England, these are passionate stripped down, well-written songs
with breathtaking dynamics. Welcome back, Polly Jean. |
The Smashing Pumpkins - Machina II / the friends and enemies of modern
music
Before one of the strongest acts spawned from the "alternative nation"
officially called it quits last month, they left us with their swan
song, "Machina II," a follow-up to "Machina / the machines of God." The
beauty of this set, aside from the fact that it's actually a stronger
collection of songs than "Machina I," was that they only pressed 25
copies on vinyl and gave them to fans to distribute any way they saw fit
- via the Internet, taping, CD burning, bootlegging or any other method
to get the music out.
With songs ranging from grandiose pop to bone-shattering metal with
flying guitar shrapnel to tender love songs, this is unadulterated,
classic Pumpkins material.
Thanks for the free music, Billy. It's been quite a ride. |
Common - Like Water For Chocolate
Forget the wife beating, gay bashing, foul-mouthed slather from rap's
current bad boy, Eminem. Instead, check out the organic hip-hop sounds
from Chicago's own Common. Mixing rap, jazz and African influences,
Common's approach to hip-hop music is sensual, seductive and, above all,
real. |
A Perfect Circle - Mer de Noms
Smart, retooled metal that smarts. Led by Tool's frontman Maynard James
Keenan, A Perfect Circle blends heavy metal with edgy alternate rock.
Hopefully, Tool will stay on their sabbatical just long enough for these
guys to produce another brooding gem like this. |
Lou Reed - Ecstasy
Leave it to the true father of alternative music to turn regret and lost
love into art. He's sang about heroin, bondage, drag queens and the
demented underbelly of New York's dark side. He even wrote an entire
album that focused on the death of a friend. Now on "Ecstasy" Lou"s
singing about another sore subject - his failed marriage with
performance artist Laurie Anderson, and the results are, strangely,
wonderful. |
Rage Against The Machine - Renegades
The Smashing Pumpkins weren't the only great act of the last decade to
recently call it a day, as lead singer Zack De La Rocha announced he
was leaving Rage Against The Machine, the originators of the hybrid rap
/ metal genre. On their final release "Renegades" these musical
anarchists have put together an invigorating collection of cover songs
that touch on, not only, the more obvious choices, such as The Stooges
"Down on The Street" and MC5's "Kick Out The Jams," but also do fresh,
creative justice to Bruce Springsteen's "The Ghost of Tom Joad," The
Rolling Stones' "Street Fighting Man" and Bob Dylan's "Maggie's Farm." |
Tahiti 80 - Puzzle
They may be from France, but Tahiti 80's fey brand of pop is built on
the finest of English pop traditions. The songs on their debut album,
Puzzle, are light, bouncy and irresistible. Their influences from
British pop icons, such as The Kinks and The Beatles, along with lead
singer and multi-instrumentalist Xavier Boyer's effervescent voice,
makes this album a delightful treat. |