Inheriting Elvis' throne during a booming birthday
bash
"The Dream King" Trent Carlini
Rosemont Theatre Rosemont, IL
Jan. 7, 2006
Story and Photos By Andy Argyrakis
Around this time every year with the holidays gone and
winter settling in, there's not a whole lot to look
forward to in the music world. But thankfully the
first full weekend of each New Year is always packed
with celebrations revolving around one particular
performer's birthday, who's not only stood the test of
the ages since his untimely passing, but is largely
regarded as the greatest entertainer to ever walk the
earth. Though that's up for debate depending on what
circle one travels- especially considering impact of
The Beatles from the British Invasion and Michael
Jackson in pop pretenses- no one can question Elvis
Presley's continued reign as the King of Rock & Roll.
Although his legacy has been preserved with many
wonderful tribute acts, boxed sets and books, it's
also been marketed to the utmost degree of unnecessary
products and cheesy impersonators. Out of that
plethora of packaging, re-packaging and rehashing,
it's sometimes a challenge to cut through the junk and
find the real gems in upholding this lineage. But fans
needed to look no further than the area's top birthday
bash (if not one of the most looked to on the whole
Elvis loving globe) than the Rosemont Theatre where
famed tributary Trent Carlini transformed into "The
Dream King." The Chicago born singer is considered at
the top of the crop when it comes to recreators,
spanning the stages of Las Vegas' most classy venues
to international acclaim with his slickly
choreographed and incredibly accurate show depicting
this all time musical legend.
While acts centered around are a dime a dozen these
days, Carlini sliced through the cheapness and
delivered his interpretation with class at his latest
Illinois appearance. He brought additional legitimacy
to the table from performing with former Presley
collaborators like J.D. Sumner & the Stamps Quartet,
guitarist Charlie Hodge and drummer D.J. Fontana,
while the performance was also rooted in accurate band
arrangements and costuming. Carlini covered Presley in
a career spanning set, bringing to life many famous
moments exactly as they happened. From a recollection
of military days to movie roles to the comeback
special and beyond, he looked like Elvis reincarnated
with similar squeals following from the faithful. The
performance was also especially believable because
Carlini perfected all the King's mannerisms, executing
signature hip swivels, facial expressions and scarf
distribution to throngs of screaming women.
While such situations could appear campy and the glitz
went a bit over the top at times, it's important to
remember that's exactly how Elvis was and it was a
model that's engrained him in the eternal fabric of
pop culture. And while some seductive moments were
worth a chuckle or two, the musical canon presented
more than made up for such hiccups. Most of the
essential hits were present, along with nuggets
nestled deep in the vaults, though the bulk could be
found for the casual listener off Presley's 2002's
compilation ELV1S: 30 #1 Hits (RCA). Yet those tunes
were exactly what people paid to hear, from the quiver
of "Blue Suede Shoes," to the twists of "All Shook Up"
and the theatrics of "Heartbreak Hotel." That list
went on and on covering other vital bases, like the
tender hearted "Can't Help Falling In Love," the rump
shaking "Viva Las Vegas," the romantic "(Let Me Be
Your) Teddy Bear" and the show stopping "Suspicious
Minds." When all packed together throughout a two hour
evening, Carlini did exactly what his show's "Dream
King" title implied, taking attendees on a time warp
that was so convincing, it felt as if the actual Elvis
was in the building.
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