In an age when melodic British bred (or at least
inspired) bands like Keane, Elbow and the Doves are
trying to catch fire like Coldplay, it's only a
natural a new act would want to jump on the same
bandwagon. Although The Fray hails from Denver and has
actually been building up its fan base since 2002, the
group's been getting lumped into that exact same
category since signing with Epic, if only for its
piano-pop centering. While there's certainly nuances
that exist on last fall's release How To Save A Life
and subsequent concert tour, the fivesome carved out
some of their own atmospheric textures, dueling lead
vocal tradeoffs and sublime simplicity that makes
members seem much more like the relatable average Joe
than the stadium bound Chris Martin and company.
And having that down home attitude with delightfully
catchy art pop is exactly what packed out the house
with a fan base that's grown exponentially since "Over
My Head (Cable Car)" hit airwaves. In fact, earning
some mainstream recognition and tour dates with Weezer
has ushered in a whole array of youthful fans, most of
whom were probably visiting the big city from
somewhere in the suburbs, clad in their khaki pants
and Gap jackets. Those elements (coupled with the fact
that the Metro is now a non-smoking venue) took some
getting used to, but stripping aside those variables,
The Fray still delivered a mostly moving, pleasant and
peaceful 50 minute set with lushly layered
arrangements.
The title track from the new disc opened the evening
to a series of squeals, shrieks and sparse singing as
Isaac Slade slid behind the piano while trading off
vocals with guitarist Joe King. It was an interplay
that would continue most of the night, and though
Slade perhaps got more time in front of the mic when
all was said and done, the chemistry was comforting
and calming. "Heaven Forbid" took on a more acoustic
dimension, almost exclusively highlighting the
slightly deeper pipes of King, who tenderly strummed
his way through the breezy ballad. "She Is" seemed to
also have an entrancing effect on those gathered,
though all became especially consumed by "Over My
Head" simply because of its familiarity.
Despite all signs pointing to The Fray's positive
rise, the gang does have some challenges ahead if
planning to achieve greater longevity. The group was
guilty at times of coming across somewhat generically
within pop/rock pretenses with the material sounding
the same after awhile. Even beyond that hurdle, the
audience of mostly teens and twenty-somethings can be
very fast to fall in love with the latest buzz band
only to forget about them a few months down the road.
Hopefully The Fray will be able to keep up its already
obvious momentum on the road, though the true test
will be a sophomore CD, which will hopefully take all
the constructive building blocks of the first and
raise up the apparent quality up with one more
challenging notch.
Here's Your Chance
to.... Respond!
Your feedback will be featured on Rant or Rave within 24 hours.