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Bluesy garage rock graduates to arenas
thanks to sheer force of sound



The Black Keys/ Cage The Elephant
United Center
Chicago, IL
September 27, 2014
The Black Keys
The Black Keys
The Black Keys
The Black Keys
The Black Keys
The Black Keys

Story and photos by Andy Argyrakis

One of indie rock's best kept secrets of the early 2000s didn't just belatedly break into the mainstream after 2010's "Brothers" went platinum and scored a trio of Grammy Awards, but became one of the few post millennial rock acts of any association capable of filling arenas all over the globe. In addition to selling out single dates in several cities, a few major markets are adding second shows, as was the case with Chicago's United Center stand on Saturday and Sunday.

In terms of the first show, the duo comprised of singer/guitarist Dan Auerbach and drummer Patrick Carney translated their raucous sounds to the masses thanks to sheer force of instrumental power without ever loosing sight of their explosive, unadulterated blend of garage rock and blues. And while there was a sizeable light show and some LED screens to broadcast all the action to the back of the mammoth facility, it was very much a no frills night compared to The Black Keys' peers who play the same places.

Accompanied by a bassist and keyboard player, the core duo was able to replicate the more fleshed out sounds found on the new "Turn Blue" (Nonesuch), which the pair once again produced with Danger Mouse. Songs like "Gotta Get Away" and "Fever" kicked up plenty of dust as they resounded with an increasingly noticeable melodic sensibility, while "Weight Of Love" slowly evolved from a gritty ballad into the guitar-charged bombast that's anchored past projects.

Speaking of older cuts, "Strange Times" came alive with a jittery sense of recklessness, "Leavin' Trunk" dug deep into the vintage blues and "She's Long Gone" took a militant tone as it quite convincingly resurrected the psychedelic era. Yet it was alternative rock radio hits like "Tighten Up," "Lonely Boy" and "Little Black Submarines" that best united dedicated and distant fans, suggesting that the guys are just as capable at writing catchy refrains as they are cacophonic jams, who along with frenetic openers Cage The Elephant, offered ample assurance that authentic rock n' roll will never go out of style.


The Black Keys and Cage The Elephant return to the United Center in Chicago on Sunday, September 28 with additional details at www.livenation.com.

Related articles:

The Black Keys (Lollapalooza 2009) - Festival review - Chicago, IL - Aug. 2010
The Black Keys - Concert review - Milwaukee, WI - Sept. 2008
The Black Keys (Bonnaroo Music & Arts Festival) - Festival review - Manchester, TN - June 2007
The Black Keys - Concert review - Chicago, IL - Nov. 2006
Down and Dirty with The Black Keys - Exclusive interview with Dan & Patrick - Aug. 2003
Beck / Dashboard Confessional / The Black Keys - Concert review - Chicago, IL - June 2003
The Black Keys - El Camino - Album review
The Black Keys - Brothers - Album review
The Black Keys - Rubber Factory - Album review
Dan Auerbach (Lollapalooza 2009) - Festival review - Chicago, IL - Aug. 2009
Dan Auerbach - Keep It Hid - Album review
Cage The Elephant (Lollapalooza 2011) - Festival review - Chicago, IL August 2011
Cage The Elephant (Voodoo Music Experience 2010) - Photo Gallery - New Orleans, LA October 2010
Cage The Elephant (Summerfest 2010) - Photo Gallery - Milwaukee, WI July 2009
Cage The Elephant (Summerfest 2009) - Photo Gallery - Milwaukee, WI July 2009
Cage The Elephant Basement Tapes Session - July 2008
Cage The Elephant - Thank You Happy Birthday - Album review
Cage The Elephant - Cage The Elephant - Album review

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